LEGEND Your Song of the Day

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View: https://www.youtube.com/watch?v=7kBX0K9nxPc&spfreload=10


http://www.songfacts.com/detail.php?id=322

  • This is based on an old Blues song called "Gallis Pole," which was popularized by Leadbelly. The song is considered "Traditional," meaning the author is unknown. Jimmy Page got the idea for this after hearing the version by the California folk singer Fred Gerlach.

  • Page explained when previewing the song for Melody Maker: "He was one of the first white people on Folkways records to get involved in Leadbelly. We have completely rearranged it and changed the verse. Robert wrote a set of new lyrics. That's John Paul Jones on mandolin and bass, and I'm playing the banjo, six-string acoustic, 12-string and electric guitar. The bloke swinging on the gallows pole is saying wait for his relatives to arrive. The drumming builds nicely." (thanks, Jason Lee - New York, NY)

  • The lyrics are about a man trying to delay his hanging until his friends and family can rescue him. Although there are many versions of this song, Led Zeppelin's is unusual in that it ends with the hangman hanging the protagonist despite all of his bribes. Most other versions end with the hangman setting the protagonist free. (thanks, Alex - Melbourne, FL)

  • A similar folk song called "Slack Your Rope" was sung by an Arkansan named Jimmie Driftwood. He adapted the words from a fifteenth century British Ballad when any crime could be paid off with money right up to the last step of the gallows. In his version, the criminal is definitely a woman and her lover rides up and pays her fee. (thanks, Lalah - Wasilla, AK)

  • This is the only Led Zeppelin song that features a banjo. Jimmy Page wrote it on a banjo he borrowed from John Paul Jones. He had never played the banjo before.

  • Jimmy Page and Robert Plant teamed up again to record this song for an MTV Unplugged set. It's featured on the The Very Best of MTV Unplugged album and the duo are listed simply as Page and Plant. (thanks, Dave - Canberra, Australia)

  • Jimmy Page has claimed this as his favorite song on Led Zeppelin III.
  • The band used some lyrics from this song on their 1975 track "Trampled Underfoot."

  • This is a rare Led Zeppelin song that speeds up as it goes along, a technique Jimmy Page also used on "Stairway To Heaven." (thanks, Adrian - Wilmington, DE)

  • In 1994, Page and Plant re-recorded this in Wales for their album No Quarter. On that version, Page played a hurdy-gurdy, an odd instrument resembling an organ grinder that sounds like a bagpipe.

  • This was performed only two or three times live in concert, in an electric-only version. However, a few verses of the song (especially the final one) were sometimes included in some medleys (for instance in "Communication Breakdown," or "Trampled Underfoot"). (thanks, Bertrand - Paris, France)
 
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IowaRam said:
Without even looking at the title of the video , the instant I saw the album cover , that was the first song that popped into my head
Click to expand...

I remember in the late 70's driving by the Burbank Airport and seeing the tail of Alice Cooper's jet sticking up over the fence. The tail was painted with that album cover...
 
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View: https://www.youtube.com/watch?v=9zBMK5OAGyE&spfreload=10


http://www.songfacts.com/detail.php?id=3636

  • This song was written by John Phillips, the leader of the Mamas And The Papas, about the affair between his wife, Michelle Phillips (a Mamas And Papas member), and Denny Doherty (also a Mamas And Papas member), which ultimately led to Michelle Phillips' unceremonious dismissal from the band and John and Michelle's divorce. Ironically enough, Doherty received a songwriting credit.

  • The sessions for this album must have been as uncomfortable as were the sessions when Fleetwood Mac was recording the Rumours album 10 years later and the personal relationships in that band were imploding. (thanks, Dave - St. Paul, MN)

  • Lou Adler produced this song, and Bones Howe was the engineer for the session. According to Bones, the part around the 1:45 mark where "I saw her" is repeated twice was a happy accident. Said Bones: "We were punching vocals in, and when we came to that part where the rhythm stops and the group goes, 'I saw her again last night,' I just punched in early. They came in early, and so we stopped.

  • And then we went back and started again, and I punched in at the beginning of the vocal, they started two bars later or whatever it was. And when I played it back, the vocal went, 'I saw her - I saw her again.' It was a mistaken punch. And Lou said, 'I love it! Leave it in.' It was an error, it was a mistake. But Lou was wise enough, it caught his ear and he left it.

  • And I learned something from that. You go with your gut. If something catches - they could be - there are wonderful mistakes that happen in the studio and you have to learn to catch those when they happen and use them."
 
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